War 1939–1945

For Günther Schifter, the period from 1939 to 1945 was marked by his opposition to the Nazi regime. His interest in the English-speaking world and his enduring passion for “degenerate” jazz and swing were signs of resistance in themselves, and it wasn't long before he ran into trouble with the National Socialists.

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00:01:20 video
Günther Schifter

Collecting records under the Nazis

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Rosita Serrano

Schön, dass du wieder bei mir bist

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00:02:43 audio
Fats Waller

Darktown Strutters’ Ball

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00:02:36 audio
Paul Whiteman

Three Little Fishies

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00:02:57 audio
Ambrose and his Orchestra

Jeepers Creepers

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“Against Schlurfs”: a poster in Vienna during the Nazi era ©
“Against Schlurfs”: a poster in Vienna during the Nazi era

When he was still a pupil at the Gymnasium, his English teacher found a note that led him to suspect Schifter was listening to “enemy” radio stations, and re­ported the find to the authorities. Schifter was summoned to Vienna's infamous Gestapo headquarters on Morzin­platz, where he was ordered to surrender his radio – a comparatively lenient pun­ish­ment for the time. After passing Austria's Matura school-leaving examination, Schifter was con­script­ed into the Wehr­macht, but he was discharged after just four months on the grounds that he was medi­cally unfit for service. He was required to perform labour ser­vice instead, and man­aged to get himself assigned to Schrack, a company that made radio equip­ment. He continued to listen to “enemy” radio stations throughout his place­ment, and it was from these broadcasts that he first found out about events like the Allied landings in Normandy in 1944, which raised hopes of a swift end to Nazi rule.

00:02:39 audio
Lionel Hampton

Jivin' with Jarvis

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00:03:18 audio
Peter Kreuder

Jahrgang 1941

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00:02:26 audio
Helmut Zacharias

Schönes Wetter!

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00:02:57 audio
Heinz Wehner

Mein Leben ist voller Sehnsucht

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Michael Jary

Florentine

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Vienna. The Graben and its plague memorial, circa 1940. ©
Vienna. The Graben and its plague memorial, circa 1940.
00:02:53 audio
Walter Raatzke

Das ist Berlin

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00:02:56 audio
Peter Igelhoff

Liebe auf den ersten Blick

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00:03:09 audio
Ilse Werner

Die kleine Stadt will schlafen geh'n

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View from Stephansplatz towards the Graben. In the background you can see the plague memorial before it was boarded up. Vienna, circa 1941. ©
View from Stephansplatz towards the Graben. In the background you can see the plague memorial before it was boarded up. Vienna, circa 1941.

Schifter continued to cultivate his taste in music in secret with his friends, until he was betrayed by a supposedly like-minded acquaintance. In December 1944 he was ar­rest­ed and transferred to the “labour education camp” at Oberlanzendorf near Vienna. In early April 1945, as the Allies advanced on Vienna in the turmoil of the last days of the war, he was able to escape from the camp, and went on to observe the collapse of the Nazi regime from Vienna.

Jazz was suppressed by the Nazi regime, but it continued to be played, even during the war. Bands carried on per­forming American numbers, often with new German lyrics, and 78s continued to be sold under the counter. These recordings found their way into Günther Schifter's record collection, which continued to expand right through the war.

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Lutz Templin

Immer wieder tanzen

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View from Stephansplatz towards the Graben. In the background you can see the Plague Column, boarded up to protect it from bombing. Vienna, circa 1944. ©
View from Stephansplatz towards the Graben. In the background you can see the Plague Column, boarded up to protect it from bombing. Vienna, circa 1944.
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Bar Trio

Tag und Nacht

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00:02:47 audio
Adolf Steimel

Bei dir war es immer so schön!

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00:02:59 audio
Kurt Wege

Ich mache alles mit Musik

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Harry James

Stomp and Whistle

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Rudolf Carl

Liebe kleine Schaffnerin

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Fud Candrix

Idylle

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00:02:54 audio
Kurt Widmann

Wann wirst du wieder bei mir sein?

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00:03:00 audio
Albert Vossen

Ich wünsche mir, daß du mir sagst: "Ich liebe dich!"

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View from Stephansplatz towards the Graben. In the background you can see the Plague Column, boarded up to protect it from bombing. Vienna, circa 1944. ©
View from Stephansplatz towards the Graben. In the background you can see the Plague Column, boarded up to protect it from bombing. Vienna, circa 1944.