Sonate für Klavier und Violoncello (A-Dur) op. 69

Video-Player wird geladen.

Aktueller Zeitpunkt 00:00

Dauer 00:00

Geladen: 0%

Streamtyp LIVE

Verbleibende Zeit 00:00

ZOOM HELP

Drag zoomed area using your mouse or a finger.

100%

Rechtliches

Zitieren

Auf dieser Seite

Katalogzettel

Titel	Sonate für Klavier und Violoncello (A-Dur) op. 69
Titelzusatz	Cello Sonata No. 3, Beginning of the 2nd movement
Spieldauer	00:03:12
Urheber/innen	Beethoven, Ludwig van [Komponist/in] [GND]
Mitwirkende	Casals, Pablo [Violoncello] [GND] Schulhof, Otto [Klavier] [GND] Electrola [Label] Electrola Gesellschaft m. b. H. [Produzent]
Datum	1930.03.06 [Aufnahmedatum]
Ort	Wien, Wipplingerstraße 25 [Ortsbezug]
Schlagworte	Musik ; E-Musik ; Instrumentalmusik - Sonate, Sonatine ; Instrumente - Violoncello ; Publizierte und vervielfältigte Aufnahme
	19. Jahrhundert
Typ	audio
Format	SCS [Schallplatte, Schellack]
Nummern	D.B. 1418 [Bestellnummer] 32-1282 [Katalognummer] CC 019021 II △ [Matrizennummer]
Sprache	Englisch
Signatur	Österreichische Mediathek, 2-44317_a_b01_k02
Medienart	Mp3-Audiodatei

Ehemaliger Wohnort von Ignaz Freiherr von Gleichenstein. Bild: CC BY-SA 3.0 AT. Österreichische Mediathek 2020.

Information

Inhalt

The first edition of Beethoven’s third Sonata for Piano and Violin in A major, published in 1809, is dedicated to Freiherr Ignaz von Gleichenstein, himself an amateur cellist and a close friend of the composer. Gleichenstein lived at the Hohen Brücke in Vienna city centre. Around this time, advances in technology were helping pianos to produce stronger bass notes. Beethoven exploited this progress by freeing the violin from its traditional role as an accompanying instrument and giving it its own, independent part. During the second movement, the balance between the piano and the violin is as close to equal as it could possibly be. In the Scherzo, which is characterised by the by the discrepancy between the steady rhythm of the accompanying piano part and the “voice” of the violin, the two instruments are put on a genuinely equal footing.

This 1930 recording represents one of the most important made by the duo Otto Schulhof (1889–1958) and Pablo Casals (1876–1973). Schulhof was an Austrian pianist who achieved international success, and was much in demand as a piano accompanist. His Jewish descent meant he lost his position at Vienna’s Academy of Music after the Anschluss of 1938, but he was able to resume his successful career as an accompanist after the Second World War. He spent much of his career accompanying chamber music, and worked with Pablo Casals over many years. The most famous cellist of his era, Casals revolutionised the way cello was played by adopting new technical principles, and used his high profile to campaign tirelessly for peace and democracy.
(Constanze Köhn)

Sammlungsgeschichte

Schellacksammlung Teuchtler

Technische Anmerkungen

Schellackdigitalisierung - automatisierte Signalverbesserung

Verortung in der digitalen Sammlung

Schlagworte

Musik ; E-Musik , Instrumentalmusik - Sonate, Sonatine , Instrumente - Violoncello , Publizierte und vervielfältigte Aufnahme

Teil der Sammlung

Schellacksammlung Teuchtler