Violinsonate Nr. 5 F-Dur op. 24

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    Titel Violinsonate Nr. 5 F-Dur op. 24
    Titelzusatz Violin Sonata No. 5, Spring Sonata
    Spieldauer 00:03:25
    Urheber/innen Beethoven, Ludwig van [Komponist/in] [GND]
    Mitwirkende Morini, Erica [Violine] [GND]
    Schwalb, Miklos [Klavier] [GND]
    Electrola [Label]
    Electrola Gesellschaft m. b. H. [Produzent]
    Ort Wien, Greinersches Haus "Zur kleinen Weintraube" [Ortsbezug]
    Schlagworte Musik ; E-Musik ; Instrumentalmusik - Sonate, Sonatine ; Instrumente - Violine ; Instrumente - Klavier ; Publizierte und vervielfältigte Aufnahme
    Örtliche Einordnung Wien
    18. Jahrhundert
    Typ audio
    Format SCS [Schallplatte, Schellack]
    Nummern E.W. 38 [Bestellnummer]
    7-7983 [Katalognummer]
    BW 1210 I △ [Matrizennummer]
    Sprache Deutsch
    Signatur Österreichische Mediathek, 2-05553_a_b01_k02
    Medienart Mp3-Audiodatei
    Standort des ehemaligen Greinerschen Haus "Zur kleinen Weintraube". Bild: CC BY-SA 3.0 AT. Österreichische Mediathek 2020.

    Standort des ehemaligen Greinerschen Haus "Zur kleinen Weintraube". Bild: CC BY-SA 3.0 AT. Österreichische Mediathek 2020.

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    Inhalt

    Beethoven’s two sonatas for piano and violin, opuses 23 and 24, were composed together in 1800/1801, when Beethoven was staying at the “Greinerisches Haus Zur Kleinen Weintraube.” The Sonata in F Major, op. 24, is apocryphally titled the “Spring Sonata,” a name that captures the work’s cheerful, carefree atmosphere. The relaxed mood comes across very clearly in this recording by Erica Morini and Miklos Schwalb. In the section, we hear the opening of the first movement, including the early part of the light, melodic main theme. It is not until the transition into the second movement that the musical action takes a dramatic turn.

    The Austrian-American violinist Erica Morini (1904–1955) was celebrated as a Wunderkind during her early career in Vienna. Having already established herself as an internationally successful musician, she emigrated to the United States in 1938. She helped to popularise the violin concertos of Louis Spohr by including them in her performances. Morini is accompanied on this recording by the Hungarian pianist Miklos Schwalb (1903–1981). Having debuted with the Budapest Philharmonic at an early age, he later emigrated to the United States, where he worked as a music teacher.
    (Constanze Köhn)

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