Klaviersonate Nr. 23 f-Moll op. 57 - 2. Teil

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    Titel Klaviersonate Nr. 23 f-Moll op. 57 - 2. Teil
    Titelzusatz Appassionata
    Piano Sonata No. 23
    Spieldauer 00:04:30
    Urheber/innen Beethoven, Ludwig van [Komponist/in] [GND]
    Mitwirkende Schnabel, Artur [Klavier] [GND]
    Electrola [Label]
    Electrola [Produzent]
    Datum 1933
    Ort Wien. Müllersches Gebäude [Ortsbezug]
    Schlagworte Musik ; E-Musik ; Instrumentalmusik - Sonate, Sonatine ; Instrumente - Klavier ; Publizierte und vervielfältigte Aufnahme
    Örtliche Einordnung Wien
    19. Jahrhundert
    Typ audio
    Format SCS [Schallplatte, Schellack]
    Nummern D.B. 2215 [Bestellnummer]
    32-3687 [Katalognummer]
    2B 6606 II □ [Matrizennummer]
    Sprache Englisch
    Signatur Österreichische Mediathek, 2-35459_b_b01_k02
    Medienart Mp3-Audiodatei
    Standort des ehemaligen "Müllerschen Gebäudes". Bild: CC BY-SA 3.0 AT. Österreichische Mediathek 2020

    Standort des ehemaligen "Müllerschen Gebäudes". Bild: CC BY-SA 3.0 AT. Österreichische Mediathek 2020

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    Beethoven’s highly virtuosic Piano Sonata No. 23, known as the “Appassionata”, is a highlight among the composer’s works for keyboard. The piece is dedicated to Franz Brunsvik, brother of Beethoven’s lover Josephine Brunsvik, who lived at Rotenturmstrasse 691.
    This recording is of a performance by Artur Schnabel in 1933. Schnabel was famous for staying very faithful to the original work, and for his extremely precise technique. This extract includes the transition between the main theme and the secondary theme, which is marked by rising sequences of chords and extreme dynamic changes.
    Artur Schnabel (1882–1951) was the son of Jewish merchants. He lived in Vienna from 1884 to 1899, later moving to Berlin, and was celebrated as a pianist and composer during his lifetime. Schnabel was the first performer ever to commit all of Beethoven’s piano sonatas to shellac. His recordings were produced for His Master’s Voice (which later became known as HMV) between 1932 and 1935, and set benchmarks for piano recordings that still apply today. After Hitler assumed power, Schnabel fell victim to the Nazi regime and fled Germany, first to Britain and then to the United States. His recordings are recognised as important historical records in audio format, and are preserved at the Academy of Arts in Berlin.
    (Anja Maurer)

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