Cellosonate Nr. 5 D-Dur op. 102 Nr. 2 - 4. Teil

Video-Player wird geladen.

Aktueller Zeitpunkt 00:00

Dauer 00:00

Geladen: 0%

Streamtyp LIVE

Verbleibende Zeit 00:00

ZOOM HELP

Drag zoomed area using your mouse or a finger.

100%

Rechtliches

Zitieren

Auf dieser Seite

Katalogzettel

Titel	Cellosonate Nr. 5 D-Dur op. 102 Nr. 2 - 4. Teil
Titelzusatz	Cello Sonata No. 5
Spieldauer	00:04:01
Urheber/innen	Beethoven, Ludwig van [Komponist/in] [GND]
Mitwirkende	Piatigorsky, Gregor [Violoncello] [GND] Berkowitz, Ralph [Klavier] [GND] Columbia Masterworks [Label]
Datum	1945 [Vermutliches Datum]
Ort	Wien, Silbergasse 4 [Ortsbezug]
Schlagworte	Musik ; E-Musik ; Instrumentalmusik - Sonate, Sonatine ; Instrumente - Violoncello ; Publizierte und vervielfältigte Aufnahme
	19. Jahrhundert
Typ	audio
Format	SCS [Schallplatte, Schellack]
Nummern	71709-D [Bestellnummer] MX 258-4 [Katalognummer] XCO 34907 [Matrizennummer]
Sprache	Englisch
Signatur	Österreichische Mediathek, 222-02801_b_b01_k02
Medienart	Mp3-Audiodatei

Standort des ehemaligen Wohnhauses von Ludwig van Beethoven: CC BY-SA 3.0 AT. Österreichische Mediathek 2020

Information

Inhalt

Over the summer of 1815, while he was living in what was then known as the “Unterdöblinger Gemeindehaus” (“Parish House in Unterdöbling”), Beethoven completed the two cello sonatas that make up his opus 102. He dedicated the first edition of the sheet music to his benefactor Countess Marie von Erdödy, having previously spent some time living in her house on Krugerstrasse. The sonatas mark a change in direction for Beethoven as a composer. Their incorporation of elements of counterpoint – reflecting Beethoven’s increasing appreciation of Bach – drew a particularly frosty reception from some contemporary listeners. Sonata No. 2 in D major ends with a final fugue, which we can hear in this 1945 recording by Gregor Piatigorsky and Ralph Berkowitz. The initially strict fugue gradually gives way to a polyphonic, almost fantastical style.

The Ukrainian-American cellist Gregor Piatigorsky (1903–1976) was considered one of the best cellists in the world in the 1930s and 1940s, and was influential in establishing the cello alongside the violin as a leading solo instrument. Having fled to Germany via Poland as a young man, in 1924 Piatigorsky became first cellist in Wilhelm Furtwängler’s Berlin Philharmonic. He later embarked on an international solo career, and eventually emigrated to the United States. Between 1940 and his death in 1976, Piatigorsky was accompanied by the American pianist Ralph Berkowitz (1910–2011), who also enjoyed a career as a university lecturer.
(Constanze Köhn)

Sammlungsgeschichte

Schellacksammlung Teuchtler

Verortung in der digitalen Sammlung

Schlagworte

Musik ; E-Musik , Instrumentalmusik - Sonate, Sonatine , Instrumente - Violoncello , Publizierte und vervielfältigte Aufnahme

Teil der Sammlung

Schellacksammlung Teuchtler